Komitas was one of the first Armenian musicians to undergo classical Western musical training, in Berlin, in addition to music education in his own country....

Komitas was one of the first Armenian musicians to undergo classical Western musical training, in Berlin, in addition to music education in his own country. He published both folksong collections and writings on Armenian church melodies, and his work laid the foundations for the development of a clearly defined national musical style. The Seven Folk Dances evoke the specific timbres of Armenian instruments, the Seven Songs for Piano are fleeting and lyrical while the Twelve Children’s Pieces based on folk-themes are beautifully crisp. Msho-Shoror is one of the most ancient of all Armenian dances.

REVIEW:

These days the most widely known Armenian composers are probably Khatchaturyan and Babajanian but, if you want to hear music that really evokes the scenery, people and cultural heritage of Armenia, look for the works of Komitas – a composer generally regarded as the founder of the Armenian national school of music.

...it is difficult to imagine a specific piano and acoustic better suited to performance of this music and, unless finding this was achieved purely by luck (which I doubt) the search must have taken somebody - probably Mikael Ayrapetyan himself - considerable effort. Whoever it was the results do him much credit.

The last seven pieces were not intended as a set – but composed individually during the period 1899 to 1911 and arranged here for violin and piano by four Armenian composers (including two who were founder members of the Komitas Quartet, referred to above). These are all beautifully and atmospherically played here by Ayrapetyan and a Russian violinist who seems to have a considerable affinity for the Armenian style (although his performance of ‘The Apricot Tree’, which comes third, does not quite displace that of Chilingirian in my affections). Several of these pieces have been arranged for other combinations but they work very well on violin and piano.

Booklet notes are excellent and in English and German. The only problem with this CD is that attempting to listen to all the piano music together is rather too much of a good thing. Interesting though the pieces are, ideally one needs rather greater instrumental variety and it would have been preferable to have the violin and piano pieces spread throughout the disc rather than collected at the end. Perhaps this can most easily be achieved if your CD player allows for random track sequence or programming. At any rate, it is not much of a problem and I can strongly recommend exploring this illuminating and beautifully recorded disc.

-- MusicWeb International