Harrison is a melodist who has found his own patterns for melody, apparent in the anxious repetiion of an unresolved motif in the opening "Preludial," in the transformative, alchemical heat suggested by "Sintering," or the contrast of the transparent resolution of "River Dolphin." Throughout, Harrison creates his own structural language with a music that is both deceptively simple and, ultimately, wholly beautiful...(Stuart Broomer, August 2014)